Frequently Asked Questions About Hiring Us
How do I know if my film needs professional color grading?
If your edit is close to finished and the footage needs to feel consistent, polished, and intentional, it is ready for color. Professional grading helps match shots, protect skin tones, shape mood, and prepare the project for final delivery.
How do I choose the right colorist for my project?
Look for a colorist whose work fits the kind of project you are finishing, then talk through your goals, references, schedule, and delivery needs. A good fit should understand both the creative intent and the technical path to get there.
What should I expect during the color grading process?
We start with the project details, footage format, references, review workflow, and delivery specs. From there, Jay builds the correction pass, develops the look, shares review versions, and incorporates notes until the grade is ready for final export.
How long does the color grading process take?
Timing depends on length, complexity, footage condition, number of versions, and review rounds. A short commercial may move quickly, while a documentary or feature needs more time for shot matching, notes, and delivery checks. We will discuss schedule before the session begins.
What format should I provide my footage in for color grading?
High-quality camera originals, ProRes, DNxHR, or another lightly compressed finishing format is usually best. We will send turnover instructions before the grade so media, XML/EDL files, references, graphics, and delivery specs arrive in a usable form.
How much will it cost to grade my film?
Rates depend on scope, length, schedule, review needs, and deliverables. Flower City Color offers half-day and full-day rates, with typical estimates ranging from $500 to $1500. Student filmmaker rates are available when the project fits.
Can I give you reference images I like?
Yes. Reference stills, films, commercials, photography, or previous versions of your own project are all helpful. References give us a shared language for contrast, color, texture, density, and overall feel.
Will I have input into the final color grade for my film?
Yes. Your feedback is part of the process. The grade should support your story, your audience.